一群罪犯利用一座古老阴森宅邸闹鬼的传说，来协助他们绑架一名富人。

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A rich American lady has bought the Castle of Longueval. Her sister is being courted by two young villagers, one that fell in love with her, and the other one that fell in love with the Castle.

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

Just in time for the elections, Lewis Black returns to take on Donald Trump and Hillary Clinton.

In the XVII century Holland important officials, de Witte brothers, were murdered by a wild mob. At the same time city of Haarlem has set a prize to the one who can grow a black tulip. There is some connection between these events.

Soviet television feature film of 1981, a three-part historical detective. In January 1918, one of the most notorious crimes of the first years of the Revolution took place - the Patriarchal sacristy of the Moscow Kremlin was robbed. The investigation is conducted by the young Soviet police in cooperation with an "old-regime" investigator-professional. But the unique diamonds and icon frames seem to have fallen through the ground. The investigators have only one thread - dropped by someone under the windows of the sacristy snuff box with the family coat of arms Messmerov.

The year is 1919. General Denikin has concentrated his troops in one of the port cities in southern Russia. But the Black Captain, the commander of the red-green partisan detachment, decided to drive him out of his zone and from time to time began to arrange all sorts of dirty tricks in the Denikin camp, attracting the attention of not only Denikin's blood enemy, but also the Bolshevik underground, which had long been following his successes...

The family is connected with Prague's "Kolbenka", the ČKD locomotive factory. Grandfather Antonín, already retired, son Rudolf, a master in the locomotive assembly section and grandson Antonín, a promising football player. The film also tells the story of Rudolf's daughter Vera - each generation has its own ideas about life and cannot identify with the others. The film is linked by retrospective sequences from the lives of Antonín the Elder and Rudolf, especially from the war years. It is a realistic take on working-class life, unencumbered by ideology (despite the opening dedication), featuring well-known and time-tested actors in mainly male roles.

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